Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Sunday, January 29, 2012

Wayfinding

Just published in The Rumpus is a memoir-ish piece by Elissa Wald, a smut writer whose work I am not familiar with. (Among my many failings and career mistakes as a sex writer was not being very well integrated with the sex-active community, so that as soon as Cris and I stopped publishing Frighten the Horses and people stopped sending us work, I became more or less marooned and isolated as a writer, so that even though Wald's book was published a few years before mine were, I was unhappily unaware of it until this day.) In the piece she commemorates the milestones of her early interest in s-m, including a particularly creative strategy when, at age 16, she phones a recruiter for the Marines in order to have an older man talk to her in a confident, commanding voice.

"You'll learn a lot about yourself in the Marines," he tells me. "Things you never knew. You'll find out what you're made of. Does that scare you?"

"Yes," I say. It's the first true thing I've said.

"Are you willing to let someone break you down in order to build you back up?"

My favorite bit, though, is when she's working as a phone sex operator. The office is short-staffed one day when two phones ring at the same time, and she picks up both receivers and has a simultaneous conversation with both customers, each of whom thinks she's having phone sex with him only. I love the farcical aspect of this, though she says that if she saw a scene like that in a film she'd "hurl a shoe at the screen" -- though she doesn't say why. Because it's so unlikely? That doesn't matter! What matters is whether the actress pulls it off, and she does.

Monday, April 19, 2010

Bishop on comedy

A genuine comic is a guy who's told by the audience he's funny, the other kind is the guy who tells the audience he's funny.
-- Joey Bishop, from a syndicated column
published in the Jul. 17, 1960 Tuscaloosa News


What's great about that line is that he managed the contrast while ending each part of the sentence with the same words -- "the audience he's funny." The repetition is part of the comic timing. It wouldn't be nearly so cogent if he had said something like: "There are two kinds of comedians, one tells the audience how funny he is, the other waits for the audience to tell him he's funny." Or rearrange it any way you want it to, it's never as good. Also, it starts with the point of the maxim: "A genuine comic is..." I don't know if Joey Bishop himself actually wrote the column, but it's a well-written line.

Read my novel Make Nice, which is about a fictionalized Joey Bishop and his relationship with Sinatra, Hollywood, and the entertainment industry of 1960.