Wednesday, September 25, 2002
Enter the delicate princess
So, about that living in San Francisco... Last night I went to the SF Opera with some co-workers (one of whom used to be their website guru, and who had scored some great tickets) to see Turandot. I was familiar with the piece, having seen it not only in person at the SF Opera a few years ago when this production premiered (with the David Hockney sets -- a sort of Chinese Dr. Seuss world in red and pale green), but from the repeated showings on PBS of the
Ferrrr-esh Aaairrrr!
For fans of Terry Gross and her ubiquitous NPR program, here's an interview in today's Minneapolis Star-Tribune.
I'm not among those who adore Gross. Her show plays too many greatest hits and repeats ("Here's our interview with so-and-so from 1989"), and she can get flummoxed just like any other interviewer. I heard her interview Ice T. as the L.A. riots were raging, back in 1992, and she basically asked him whether he and his fellow hip-hop artists were more or less responsible for the riots. To his credit, Ice T. managed not to laugh in her face or get really angry.
Speaking of the L.A. riots -- they took place just under ten and a half years ago -- here's an eyewitness account from a television helicopter cameraman, and here's Time writer Richard Schickel on How TV Failed to Get the Real Picture ($). That Schickel article costs money to read, but that page has many links to other sites with substantial post-mortems of the riots.
And speaking of the Time Warner/AOL/CNN empire, a story in today's Wall Street Journal said that CNN and ABC (owned by Disney, another huge media conglomerate) might merge their news operations. (No link -- the WSJ site is all pay.) I could get depressed about stories like that, but... It's all just Big Business. When Disney buys the New York Times, that's when I'll get worried.
Tuesday, September 24, 2002
She should have more faith in guys
If anyone in the future wants to understand how we used the slang expression "hook up," look no further. Here's a major blurt by some guy in New Jersey with these deathless words: "But yah, after me, her Prince Charming image just seemed to go out the window, like even the nicest guys would end up being assholes in the end, so she "dated" lots of guys, but it was mostly physical. She just kinda hooked up with a lot of guys, mostly older guys, she met on the internet and basically got to the point where anyone who was willing and able to perform oral sex on her, she'd hook up with a few times. If it wasn't for me, maybe she'd still have more faith in guys, because from what I can tell and what I've been told, it seems she's sorta afraid of a real relationship."
Yeah, seems sorta like that.
Like most of the blogs I look at, that one turned up at random on Blogger.com. That's how I found Uberchick, a young Korean-American Manhattanite who just got an exciting job as an intern working on a feature film. I read Uberchick almost every day, mostly for the vicarious experience of being young in New York. Also she is gorgeous, in a boring straight girl way -- that is, if that's her in those pictures (there's only one Asian woman, so I assume that's her).
Monday, September 23, 2002
Predestination
I got no writing done last weekend. Too busy having fun and spending money like -- and here's a phrase that creeps in from my quaint midwestern upbringing -- "like it was goin' out of style."
I guess it's all right for me to have slacked for a weekend, especially since Cris is supposed to be out of town next weekend and I should get a lot of writing done. If I know where I'm going with it, that is.
There are several approaches I could take to the problem I have with my novel -- the problem being that I don't know how to resolve certain character development issues with one of my main characters. One approach would be to make notes up the wazoo until I finally figure it out -- or exhaust myself in the process, as I did on Sep 7. Another approach is to completely change the ending I have planned. (My problem is that I have the ending planned, but I can't figure out how this character develops in such a way as to get to that ending. And I'm afraid that if I just write it the way it is, the decision the character makes at the end -- a decision I have pre-ordained -- will seem both unjustified and contradictory.)
But the approach I think I will try to take is to just write through the difficulty, trusting that by the time I get to that part of the story, I will be able to make things fit.
They're really very shy
Interesting intellectual property case:
British composer Mike Batt found himself the subject of a plagiarism action for including the song, "A One Minute Silence," on an album for his classical rock band The Planets. He was accused of copying it from a work by the late American composer John Cage, whose 1952 composition "4'33"" was totally silent.On Monday, Batt settled the matter out of court by paying an undisclosed six-figure sum to the John Cage Trust.
More at CNN.
In other news, a representative of Iceland Air is firing back at a perceived slur in last week's Sopranos' season opener, which depicted (not much of) a sex-and-drug orgy with Tony Soprano's crew and "the girls from Icelandic Airlines." Informed of this attack on America's Favorite Show, a friend countered, "They should be fucking grateful for the publicity."
Sunday, September 22, 2002
Credit cowabunga
Rather exhausted after two days of playing, first with D. -- we went to the Airport Doubletree and ate at Benihana's, sharing our table with some sorority girls who were celebrating one's birthday -- then with Cris and Nancy, with whom I managed to spend several thousand dollars for a complete new Mac G4 system. We got the works -- flatscreen monitor, printer-fax-scanner-copier, and a wireless network. All of it went on plastic, needless to say -- which just goes on the house line of credit. Now I'm working on the new computer. Quite an experience. We actually bought and paid for a copy of Microsoft Office. I never thought I'd find myself doing that. I rationalize it by supposing, I've been stealing software from Bill Gates for the last 13 years, the least I could do is pay for it once.
We've really been spending the money lately. First the new truck, now this. We're also getting new office furniture. If we were opening a new business or something, I could understand, but...
The only thing I can't figure out about this new system is the way IE 5.2 is behaving on Mac OS 10.2. It's wrapping text on web pages in a very unpredictable manner -- for example the word "girls" in the first paragrah, on my screen, the "girl" part is at the end of one line and the "s" is on the next. But not every word or line behaves this way. It's a mystery.
Now I'm going to need to concentrate on work for about two years and not get laid off -- maybe I'll have a chance of actually paying off these credit bills.
Friday, September 20, 2002
A really bad sign
Bush has announced a new American policy of pre-emptive strikes, whenever we feel like it, whether or not we have support from the U.N. or anybody else. So let me depart from my usual self-obsessed natterings to complain about it. Cris gave me the news as soon as I walked into the kitchen this morning. Before I'd had my coffee, she pointed out that this puts us in the league with military empires of the past, from Rome to the U.S.S.R., whose similar policies led to their eventual downfall.
Of course, they didn't have the internet and Starbucks.
I read once that the people who handle mail and messages in the White House count support and opposition like this: If a handwritten letter counts as 1, then a letter off a laser printer counts as .1, unless it's a form letter, in which case it counts as .01. This is because they figure that if you took the time to actually sit down and write a letter by hand, you feel pretty strongly about an issue. By this reasoning, an email message counts as about .0001.
So sit down and write a letter, by hand, today. The address, and the new policy, are both at the White House website. If you're not ready to write a letter now, you will be by the time you see that website.
Thursday, September 19, 2002
Tissue-san arrived!
Japanese consumer culture, which is utterly perverse, is always good for a laugh. I don't know how or why, but something about the modern Japanese mentality insists on fetishizing the strangest things. Consider Tissue-san. (NB: if it asks you to install the Japanese language pack, just hit cancel. You can still enjoy the resulting page.) Evidently someone has made a line of products based on several comix characters that are.... boxes, packs, or other containers of tissue paper. The products include a tissue paper box hanger, a little post-its holder that looks like a box of tissues, and the inevitable notebooks and pens.
If you click home, you will see similar product lines based on comix characters that are: cheese; bunny angels; beer-drinking ducks; chestnuts; jelly; and "mixed cats."
I wish I were better versed in whatever discipline or knowledge -- anthropology, psychology, or whatever -- that would allow me to understand the origins of this insanely strong Japanese drive for the cute. I guess it's just infantilism, commercialized ad infinitum. In any case, it makes American popular culture look positively adult in comparison.
Wednesday, September 18, 2002
Abyss
As I mentioned in the last entry, Cris loaded up the pickup truck full of junk we'd been meaning to cast out for years. (In fact, this is one of the main reasons we bought a pickup truck this summer: there was no other way to ever get all this junk to the dump. The other reason is that the truck was red and a really good deal.) But she was frustrated in her attempts to actually go to the dump because I had the truck key and I was in New York.
So today I came home after lunch and got in the truck and went over to Cesar Chavez St. to get a helper. Cesar Chavez St. is where all the undocumented workers hang out hoping to get day work. At 1:30 there were still a few hopeful souls, and I snagged one of them. Off we went.
The San Francisco dump is located at the very south end of the city. I exited the freeway just before the causeway that crosses a corner of the bay near Brisbane, on an ominously named exit called Tunnel Avenue (the name refers to a railway tunnel used by the Caltrain commuter line) and follow the signs to a vast collection of buildings, crushers, ramps and scales. Following the frantic hand signals of several dump workers, who had to divert me from going on the scale reserved for newspaper recycling and from using the ramp reserved for garbage trucks, I finally managed to get weighed. Then it was up a curving road to a huge hangar built into the side of a hill. Inside was a hellish scene, with trucks and vans backing up and casting their refuse into a pit about fifty yards long. Inside the pit, a large bulldozer moved things around. Overhead, mist descended from a dozen nozzles, I suppose to keep the dust down, but it created a fetid atmosphere that made the whole place look smoky.
We dumped our refuse and escaped from the building and got the empty truck weighed again. It cost $44 for all that junk, including a lot of dirt from the garden we didn't have any place for. Then I dropped my helper back off on Cesar Chavez.
Tonight: Berkeley Symphony concert, just one in a whole series of classic music events this month celebrating composer Olivier Messiaen.
Monday, September 16, 2002
From the plane yesterday
Saturday I promised myself that I could do some sightseeing in New York if I got a few thousand words under my belt, and so after eating breakfast, I sat down at 9:30 and indeed wrote the first part of chapter 20. Despite my cavils last week, I did know what I wanted to start with the in the chapter, and so I wrote that: 20a and 20b, and I got a good start on 20c. That came out to 2500 words -- a fair day, though I did not manage to advance the plot much. Now that I'm in the second-to-last lap, comparatively, I'm conscious that every word should be advancing the plot, and I fell somewhat short of that. But the important thing is to finish the first draft by hook or by crook.
So I wrapped that up around 1:00 and went out. I did something that was perhaps a little foolish: I went to something in the far north of Manhattan -- the Cathedral of St. John the Divine, and then Riverside Church -- followed by something in the far south -- the Staten Island Ferry. By the time the latter departed, the sun was setting, and as it was a hazy day, the view left something to be desired. But you could still see the sights, it just wasn't crystal clear the way it was in May when Cris and I came in.
I had always been a little curious about Staten Island, supposing that it couldn't possibly be so close to Manhattan and be completely boring. And yet it was. And the air was warm and very sticky. The most interesting thing was a brand-new class A minor league stadium of the Yankees. I went back to the ferry terminal and had to wait quite a long time in an airless concrete hall for the return. But the return ride was wonderful, of course. I don't know that it's ever not wonderful. It was night and tourists were taking flash pictures of the skyline from miles away.
When I got back to shore I decided it would be just too uncomfortably hot down on the subway platform, and looking at my pocket-sized laminated map I saw that the M6 bus would take me up 6th Avenue, which is also where the PATH train runs. So I got on that. What I didn't realize is that on the way to 6th Ave. it would also take me up Church St. directly past the WTC site, which I had been avoiding.
Apparently there are no more forbidden areas; you can go right up to the fence and look in; in fact, they have built a special fence in places to allow this. Earlier I overheard someone saying that the only benefit of looking at the site, now that it has become entirely a construction site, is to get a sense of the vastness of the area that had been destroyed, that you couldn't get that from TV. But I had gotten it from TV.
What was impressive, however, was the high iron fence around St. Paul's; every inch was covered, and I'm not exaggerating, with tributes, messages, flowers, banners, and pictures and so forth --for example, I saw a t-shirt hung at the top of the fence, reading LACKAWANNA FIRE DEPT. The sheer amount of the tributes and so forth, along with the knowledge that this had been happening for months, really was rather impressive.
At the airport the next day, I bought a New York Times; it's one of the first Sunday Times I've gone through since the beginning of the summer, when I changed our subscription to no-Sunday. There were a bunch of memorable pieces.
In the Arts & Leisure section there was an interesting article on Jerry Seinfeld, a standup comedian who became incredibly successful and wealthy through a television show during the 1990s. I've never liked him or his show, and the article offers a clue why. The piece is about how Seinfeld decided, after the TV show ended in 1998, to completely reconstruct his act after going on the road and being devastated when he launched into a familiar bit and a cutting voice came from the audience; "Heard it!" The article went on to describe a day in which Seinfeld, more or less on a dare, offered to spend a few hours with the journalist gathering "impressions" of his own neighborhood -- the Upper West Side -- and from them construct a "bit" that he would then try out at a comedy showcase that night. That part was interesting, especially the comedian's shop-talk, which I may readily mine for my novel.
But the article also contained a strong clue as to why I've never liked Seinfeld's persona (regardless of whether or not he is reconstructing his "act" from the ground up, as the article said, his persona clearly remains the same). At the beginning of the piece, he pulls up in front of the designated meeting spot in a limo; at the end of the piece he departs the same way. This suggestion of a god descending via a chariot to spend a few hours with mortals, and then reascending at the end of the day -- it must have been intentional on the part of the writer -- exposes the subject's basic arrogance. That's why I've never liked the guy; he gives off an air that he's doing you a favor by showing up.
On the plane, I ate the miserable and tiny "dinner," which consisted of about three ounces of roast beef with a puffy dike of mashed potatoes separating the meat from a few bits of vegetables. I felt so contemptuous of this collection, and of the generally crabby attitude of the flight crew, that I considered teasing them by saying "Look! Look! A vegetable! Did you know it was in there?" But I didn't. One doesn't joke on planes these days, especially on flights from Newark to San Francisco departing just a few days after the anniversary of you-know-what.
Instead, I purchased one of their little bottles of wine, which affected me strongly enough that it reminded me of an incident a few days ago that I had forgotten about. One of the writers brought into the office a container of soggy spanikopita that must have been left over from the weekend -- this was Wednesday. Just before I thrust a large piece into my mouth, I noticed a spot of purple mold on the bottom of it; but it was too late. Down the hatch. For the next three hours I felt slightly high, as if I'd taken a very small amount of acid.
A man in the seat across the aisle and up a little was watching a movie, or a portion of a movie, on his laptop. I'd never actually seen anyone do this before, and the fact that he was a classic nerd -- an overweight Asian man in a polo shirt -- made it seem more ridiculous. The movie -- that helicopter Vietnam movie starring Mel Gibson, who is ubiquitous these days -- actually had large English subtitles easily visible from my seat. They blew up a California ravine that was supposed to be Vietnam, although the line of hills in the background was so obviously an oak-covered California hillside that it seemed even more ludicrous.
Mel Gibson looks very manly in a steel helmet.. A guy gets shot and says calmly "I'm glad I could die for my country." What shit! The motherfucking Hollywood war-mongers.
Friday, September 13, 2002
Valley of the Shadow of Death
When I visit New York, I always swing by the International Center for Photography to see what's on. In addition to a big Garry Winogrand exhibition [NYT review] that includes his famous photo taken at the 1964 World's Fair, they have some WTC photos taken by the only working photojournalist who was killed there on Sep. 11, Bill Biggart. Biggart was covering the WTC disaster when he was killed in the second tower collapse. All his film was destroyed, but the chip in his digital camera escaped unharmed. The ICP displayed the resulting stunning images.
There are two utterly remarkable pictures. In one, the collapsing south tower is seen in juxtaposition to the north tower (which was the first to be attacked, but the last to fall); an unscathed portion of the latter fills the left half of the frame while the right half is utter chaos -- it's like a Before and After shot all in one image. The other unbelievable photo is the last one he ever made; the time stamp on the digital image indicates he was killed literally seconds after he took it. It shows the smashed Marriott hotel after it was hit by the south tower and before it was utterly destroyed moments later by the north tower.
I didn't argue with myself very long about whether Biggart showed courage or just stupidity by getting so close to the devastation after one tower had fallen and it should have been clear that the second one could also go. There was a quotation on the wall from Robert Capa that Biggart is said to have used as his guideline -- something like "If your pictures aren't good enough, you're not close enough." To the extent he was obeying that maxim, Biggart obviously showed true courage in venturing into danger to get the best pictures.
Thursday, September 12, 2002
Hug a fireman
It would seem everyone has had it up to here with the coverage of the Sep. 11 anniversary. But this morning NPR was still going at it, not just with coverage of Bush's speeches and the other events yesterday, but still with the stories of firefighters and so forth. So in that spirit...
I went into New York again yesterday afternoon. I tried to get cute and take a ferry instead of PATH, but the ferries were disrupted just then by the visit of Shrub to the WTC site. When I finally did get on a ferry, it took me to the 38th St. terminal near the Javits Convention Center. Despite the delay and the detour, the ferry ride was glorious -- it was a beautiful sunny day, the humidity of the previous two days was gone, and it was very windy, but in the late afternoon, the view of the Manhattan skyline lit up by the setting sun was out of this world.
I got downtown and went to the 9/11 service at St. Luke's in the Fields. So I've now heard three 9/11 sermons and I finally realize what is so dissatisfying about them. They're all directly addressed to congregations that have actually lost people, congregations with people who barely made it out alive or who otherwise directly experienced the events of That Day. And sitting in the pew listening to this extremely low-energy, dry sermon -- it wasn't just that they were Episcopalian, I mean this woman was speaking as if she were still in shock -- I realized what was going on. New Yorkers think the attacks of Sep. 11 happened to them. They feel a sense of ownership. Similarly, but even more strongly, the well-organized and vocal Family Members also feel a sense of victimhood. They think they totally own this event. It not only happened to them -- it is still happening to them.
I'm not going to start a rant about victimhood, but as a Californian, I have to tell New Yorkers: that attack was not directed at you. It was directed at the whole country; the WTC and the Pentagon were just symbols. And I say that not because I feel a sense of ownership of the event or a need to control how it is remembered (as the Family Members seem determined to do) -- I say that because the conflict between fanatical religious fundamentalism and capitalist democracy is not a goegraphical conflict. It's not like the World Series where everyone pretends the competition is two cities actually duking it out like Athens and Sparta. It's a conflict of religious fundamentalism against liberal tolerance and feminism, of which New York is a worldwide symbol.
And there's something else that is completely ignored in the sermons I've heard: any notion that the listeners bear some responsibility for what happened. After a year, I would expect the ministers of these liberal New York congregations to reflect, at least a little, on the whole symbolism of the World Trade Center and what it might mean to desperately impoverished third world people. Yes, for some it might have been a pot of gold at the end of a rainbow: come to New York and get rich too. That is surely what's meant by Shrub's decision to give his big speech on Ellis Island -- he's trying to distinguish the good brown people (they want to become just like us and get rich) from the bad ones (they hate us for being rich and want to punish us for it). But for the terrorists who executed the hijackings and crashes of jets into the WTC, it was a symbol of U.S. greed and decadence. Nobody talks about this, at least not the ministers who are speaking directly to people who worked there.
I would say: "We have to get beyond our view of ourselves as innocent victims and think about what American greed and decadence means to the Third World. There's a reason they attacked -- not once but twice (in 1993 as well as 2001) -- the World Trade Center. It's because the Third World is enraged by American arrogance and by the fact that we use up more than our share of the world's resources, as much as by our famously tolerant society. Yes, it was an attack on our values, but at least as much upon our negative values -- greed, selfishness, arrogance -- as upon the positive values we cherish -- tolerance, liberalism, equality."
Afterwards, I went for a little walk and found myself passing a firehouse on Sixth Avenue. A crowd that was standing outside with candles erupted in applause as the fire engine came streaming out, siren blaring. It turned out to be a dry run: the fire engine simply circled the block, then parked in the street, and the crowd came into the truck bay and there were a few prayers by a Catholic priest. I overheard a woman say, "I just want to hug a fireman!" That seemed to sum up the day for me, and I headed back to my hotel.
Wednesday, September 11, 2002
And speaking of sick families
This AP photograph of a touching family scene in Michigan is mind-boggling. It appeared on sfgate.com's "Day in Pictures" feature. The kid is not afraid of the horse -- he just prefers watching TV from inside the coffee table while the horse, or pony, whatever it is, falls asleep with its head nuzzled between the kid's mother's tits. What the fuck is up with that?
This just proves how wrong people are when they say all the weirdos are in California. For every California weirdo, there are ten people like this in flyover country who outdo anything we can.
A lot of life to live
On this day when everyone is being asked to pause in memory of last year's events, I received a piece of email from a cousin. She wrote another relative about her father -- my uncle -- saying:
He really hasn't fully recovered from his surgery in May. He's been depressed, very fatigued and really out of it. Doesn't want to do anything (computer, weekly letters, crosswords). All he does is go for meals and sleep. He really needs some prayers. He's got a lot of life to live.
Now, does that sound to you like someone who "has a lot of life to live"? Not to me -- it sounds like somebody's who's given up and is ready to die. The man is in his late 80s or early 90s. Give him a break.
This is relevant today not just because I received it today, but because it illustrates how the attitudes of family members -- to use that phrase we are hearing a lot this week -- so strongly determine what then becomes the reality for those who have died -- or, in this case, are about to die. The "family members" of those who died one year ago are constantly heard from or seen on TV, doing everything from weeping to strenuously arguing some scruple having to do with "honoring the memory" of the dead. For example, a recent article in the most recent Time magazine mentioned that "family members" were upset that New York was already rebuilding the subway through the WTC site, that doing so somehow dishonored their dead. Can we wake the fuck up? What do these people want -- for the entire city to stop in its tracks (no pun intended) until every single person has emotionally processed the events of a year ago?
As for my uncle, what gives his daughter the right to decide he has a lot of life to live? If it were up to me, if the guy doesn't show any signs that he wants to go on clipping coupons and doing crosswords for the next ten or twenty years, then put him in hospice care. He's ready to go.
Clearly I'm more upset by this than I really need to be. I think it's because, at age 46, I view time as so precious. Every moment I have, I'm writing, or seeing a close friend, or exercising, or doing nothing intentionally.
Now, I can't claim any moral superiority over my uncle, whose time before his surgery was cheerfully writing "weekly letters" to every relative he could think of, the contents of which were a sort of mix between a Paul Harvey rehash of news and sports and a treacly religious tract. I can't claim my own work and leisure is any more important in the scheme of things (although I must personally feel it is).
But if I ever completely stop doing anything, and just shuffle between the table and the bathroom and the bed, I'm done, okay?
Tuesday, September 10, 2002
Dinner with Marilyn
Yesterday I changed hotels, moving into a Days Inn very near the Hilton I was staying at. "Very near" here means a mile down an access road past a mixture of car parks and weed-strewn toxic former industrial sites. Still right across a six-lane highway from the airport, and the cheaper Days Inn has much worse sound insulation and a noisier air conditioner. So it's earplugs at night.
After work yesterday I checked in and took a shower, then drove (I have a rental car now) into Manhattan via the Holland Tunnel to have dinner with my friend Marilyn. We've known each other for more than ten years, since she first submitted her work to Frighten the Horses. Since then she's gone on to publish a terrific book of erotic novellas, Neptune and Surf, and to have stories published in a multitude of anthologies. We had dinner at an Italian place and had a *wonderful* fun conversation about writing, and about various deals and writing jobs she's up for, and gossip about other writers and publishers and so forth. The usual enjoyable shop talk of pornographers. It was a good deal of driving back and forth -- about 40 minutes each way, though the traffic was light -- but totally worth it. And we're going to have dinner again, maybe on Friday.
Tonight I'm going into town again to see another film -- Kurosawa's samurai version of "Macbeth," called Throne of Blood, starring of course Toshiro Mifune.
I came back too late and too tired to check email or blog last night. Also the Days Inn has a much more restrictive policy on phone calls. The Hilton starts charging you a high rate on local calls only after an hour; the Days Inn starts after ten minutes, so it's hardly worth trying to dial in.
Tomorrow is the Sep. 11 anniversary, and I was surprised that there was no big recognition scheduled for my company's New Jersey office, which lost somebody on one of the planes that day. (It was the plane they crashed in Pennsylvania. At first everyone was claiming that our co-worker must have been one of the brave passengers who rushed the hijackers. Then it came out months later that actually he was in a toilet the whole time talking on a cell phone to his wife.) In fact, people seem determined to come to work that day. When I heard this, I remarked tactfully, "Oh, and here I thought everyone would be home lying down with a cool cloth over their eyes."
Driving into the office this morning I listened to AM radio. I heard a long account of Sep. 11 from a firefighter -- articulate and moving (and obviously polished somewhat, if only from having been told so many times). Finally after the long monologue, the host said something like, "Thank you so much for that, Jerry -- and may I say if I could kill them all, I would." That kind of broke the solemn mood. It turned out to be Don Imus.
Sunday, September 08, 2002
Holy &@^&@# $%!*
I spent Sunday in New York, sightseeing as it were, but since this is the week of the first anniversary of "9/11" -- as it's now being referred to in shorthand by almost everyone -- many of the sights and activities have to do with that day. I did three things today, and all of them referred directly to Sept. 11.
First I rode the train into Manhattan and walked a few blocks to St. Bart's Episcopal Church, a big ritzy edifice hard by the Waldorf-Astoria hotel. As part of their remembrance, they had a children's choir singing Britten's Missa Brevis, and the rector preached on St. Paul's exhortation to love your enemies.
Then it was off to Queens to the American Museum of the Moving Image, where they were showing a series of documentaries about, what else, Sept. 11. I saw part of a film called Circling Zero: We See Absence and then the entire HBO documentary In Memoriam: New York City 9/11/01.Despite its over-reliance on the perspective of then-Mayor Rudolph Giuliani, it not only tells the story of the day very well but has an extraordinary collection of footage from every perspective. It doesn't shy away from anything; you hear every utterance of "Holy shit!!" and see bodies falling from the towers.
But the most heartbreaking images, curiously, were still photographs of people holding up MISSING fliers, their faces contorted in anguish, still trying to deal with the obvious fact that nobody was coming back from that hellhole. The film will air again this week on HBO. I found it very good.
Then it was back to Manhattan and Lexington Ave., where I attended a church service that was expressly a memorial for Sept. 11. held in St. Peter's Lutheran, a hyper-modern space in the basement of the Citicorp Center. I must say that the Episcopalians beat the Lutherans today; Midwestern-tinged earnestness was less appropriate than a bit of distance, a tiny smidgen of irony, and Benjamin Britten.
But at the (literal) end of the day, I have to say that I found the experience of going to a museum and watching a documentary about Sept. 11 a more effective way of dealing with my memories of that day than going to church. Of course, I experienced the fateful day itself entirely on television from San Francisco. If I'd been here in NYC, maybe I'd prefer to be in church. And I will be in church again, on the day itself, when I'll go to a Greenwich Village church near the Zone.
That's my exciting day of sightseeing. One thing about yesterday -- I spent the whole day in my hotel room trying to work on my novel, and I have to say I had a lousy day of writing. I wrote 2000 words of notes but only 400 words of fiction, and in the latter made no progress at all, but merely added on to an existing chapter. I'm forced to face the fact that I'm at a turning point in the writing of this novel, where I really have to work out some issues with one of the main characters. I won't be making much progress til I do.
Saturday, September 07, 2002
Another east coast trip
I'm in Newark, N.J., halfway between my company's office in central New Jersey and Manhattan, at the Airport Hilton. Airport Hiltons are great -- they're cheap and extremely well kept up. The L.A. Airport Hilton is *very* ritzy; the fact that it's right next to a sleazy strip joint and a Carl's Jr. doesn't matter. In fact, those are positive amenities compared to the Newark Airport Hilton, which is next to a huge cemetery and a Budweiser brewery. (You've seen the latter if you've ever flown into Newark; it's right across the highway from the airport, a huge brick edifice.)
The hotel does have a free shuttle bus to Newark Penn Station, and last night after eating dinner in my room, I took a PATH train to Greenwich Village. I walked east along Houston St. and Prince St. and went to see the new Godard film, Eloge d’Amour (“In Praise of Love” is the American title), at the Angelika Film Center. For me, going to New York means going to see films that haven't come to San Francisco yet -- I feel so cultured doing it.
There was a moment of levity in the lobby, where they make you line up for each film that is going to be shown. While we were standing in line, another film was starting, and they announced over the loudspeaker, "This line is only for 'In Praise of Love.' If you have tickets for 'Amy's Orgasm,' please come right to the door. Again, 'Amy's Orgasm,' come right up. 'Amy's Orgasm!!'" the guy added unnecessarily, apparantly just because he liked saying it. Chuckles in the lobby. Then when we were seated and before the film started, a young man engaged me in conversation, which I thought was very odd and unusual for New York. He asked me if I were French and started talking to me about Godard movies. He wasn’t hitting on me because his girlfriend had just gone to the restroom -- maybe he just wanted to practice his French. Anyway, I’m so anti-social that we stopped talking as soon as his girlfriend came back from the restroom. If I were more outgoing, I might have turned it into a real conversation with them.
When the film ended, I jumped into a taxi and was taken back to a PATH station, and the train came within five minutes and soon I was back in Newark. Even though it was 12:45 when I got to my room, ESPN was showing the Giants game from San Francisco, so I watched the end of that -- a scoreless tie won in the bottom of the 9th after a double and a single -- with pleasure.
Thursday, September 05, 2002
Meanwhile, in California
In this bizarre L.A. Times story about a forest fire, a delusional woman who says she "protected the forest" for many years is prevented by cops from shooting herself as the flames advance. Investigators say that "candles associated with a ritual involving the use of fire and animal sacrifices started the fire."
Wednesday, September 04, 2002
I'd rather be in San Francisco
The annual event known as Burning Man has just ended. I have never been seriously tempted to go, seeing as how I generally dislike camping even in the most sylvan environments and cannot comprehend doing it in the middle of a dust cloud for a week with no running water. And every year that goes by, I get farther and farther away from being the type of person who goes to such things or ever would.
But in fact, I was never the type of person to go. I've always been bad at parties, hated costumes, and especially bad at fitting in to scenes where everyone was ever-so-cool. I have no technical knowledge to contribute to such an event, and no artistic flair. I'm just a writer.
That's not to say I don't love going to the desert, taking drugs in the desert, or hanging out with weirdo pierced alterno-gender people. But not tens of thousands of them all at once -- a situation Cris loves to characterize as a "cluster fuck." (Hyphenation optional.) Too much stimulation. For me, the whole point of going to the desert is to remove all the stimulation that assails me every day. (Bloink! Another IM just arrived.)
Not that the desert is empty or desolate (although the "playa" where Burning Man takes place reportedly is) -- it's full of life. But it's also full of silence and absent any high-speed internet connections. At least for the time being, thank God.
Tuesday, September 03, 2002
An interesting stand taken by a small-town editor
The editor of a small town newspaper -- The State College (Penn.) Centre Daily Times -- has decided to drop the weekly syndicated column of arch-conservative columnist Ann Coulter. She's the columnist who is famous for being blond and for writing a piece in the aftermath of Sept. 11 that the U.S. "should invade their countries, kill their leaders and convert them to Christianity."
After a huge negative backlash against that original blatt, Coulter was dropped by the conservative National Review, which published it. But that only seemed to encourage her and to strengthen her base with the far right.
The most flaming conservatives need someone like her -- young, blond, attractive, and female -- to confound liberals and act as a lightning rod. But with the Sep. 11 anniversary approaching, the stand taken by the small-town editor might be more significant. It could be -- I hope it is -- a sign of a real backlash against Coulter that will leave her high and dry.
Of course, the internet, not to mention right-wing talk radio, means that no one ever really goes away; Alan Keyes and Oliver North are as popular as ever with the far right, and I'm sure the stations that carry their b.s. would love to stick Coulter on their rotation as well, if they haven't already. But it's a small sign of hope that the flyover-country mainstream is willing to draw the line someplace.
Sunday, September 01, 2002
I said watch it!
After spraining my ankle on Wednesday evening, I was back up and about on Saturday, carefully stepping around and going so far as to walk almost a mile on city streets. I felt that as long as I was really careful where and how I stepped, I'd be okay. So this afternoon (Sunday) I forgot about being careful for a minute and ka-ping! I turned it a little. So it was back on the couch with ice for another 90 minutes.
I sat on the couch, during a hot afternoon, watching the Albert Brooks - Sharon Stone movie The Muse. It's about a screenwriter, his wife, and his colleagues -- cameo appearances from everyone from Rob Reiner to Martin Scorcese -- who believe that a mysterious blond woman actually has supernatural powers to break their creative blocks. She is supposedly one of the genuine muses of classical mythology, updated to modern-day Hollywood. It was amusing enough, no pun intended, but as soon as the upshot started, I turned it off. Two psychologists show up to say the woman is actually an escaped lunatic. I had no desire to watch that sentimental, dumbass ending.
Speaking of writer's block, I haven't got it. In the last five weeks, I've written two whole chapters of my novel, finishing one yesterday. I'm still on pace to finish the first draft by the end of the year, which would be such a relief. I've been working on this thing since summer 1998, and I want to get it over with and get on to all the other ideas I have. Of course I realize I probably still have at least a solid year of rewriting to go on this thing before it's anywhere near publishable. For one thing, it's twice too long -- already over 115,000 words and at least six chapters to go, the first draft will come in at around 150,000 words. Seventy-five thousand would be much more like it.
Saturday, August 31, 2002
Back to the weekend
Went to the orthopedist -- a fancy Palo Alto doc who repairs the ligaments of pro footballers -- who almost laughed at my ankle sprain. He called it a "level one" and said just be careful with it and I'd be fine in a couple of weeks. So I will get back to meditating and so forth on Monday.
Meanwhile I've been luxuriating in sleeping late and doing practically nothing. I've slept nine hours two nights in a row, and we're just starting a three day weekend. If only I were exercizing, I would feel so great. Anyway it's back to work today on my novel.
I still seem to be attracting some strange energy, though. Last week a fan wrote me asking if I'd seen a book called Carrie's Story by Molly Weatherfield. She rhapsodized about its inventive s/m plot, in which a grad student bottoms for a year to a guy who then sells her in an auction to a man who then subjects her to "pony training." I hadn't heard of the book, but then a few days later my publisher sent me the book saying they thought I'd like it.
This was very strange. I wasn't surprised when the afore-mentioned fan zeroed in on the book, given its subject matter, because she had talked with me before about her submission fantasies; this would be perfect for her. Then it was odd that the guy at Cleis picked up on the same thing, especially given that I had never talked with him about the book or the author. But the really strange thing is that I myself had been having these "pony training" designs on a new girlfriend, but hadn't spoken to anybody about them, including her. Since this is kind of an obscure s/m cul-de-sac -- even Dan Savage hasn't made fun of it yet, as far as I know -- it seems really strange that two completely unrelated people would pick up on it at the same time, and think of me, while I was having the same ideas. I guess I should read the book.
Thursday, August 29, 2002
Watch your step
Last night on 16th and Valencia, I flagged down a taxi, stepped off a curb and stepped right into a pothole the exactly size and shape of my foot, spraining my ankle. Damn!
That scotches tonight's dinner plans, zazen for the rest of the week, and a variety of meetings at work as I sit here at home with a large bag of frozen peas tied to my ankle. (I have recently acquired a digital camera but I don't think you need to see the bag of frozen peas.)
That's my first ankle sprain ever. I'm famously stable and have been known to stumble over (or run through) an obstacle course of stones, roots, gopher holes, city streets, cobblestones, icy sidewalks and practically everything else you might find underfoot, all without turning an ankle and usually without even falling down. But here I sit. So much for my "physical high"!
Stupid marketing tricks
Target Stores released a line of back-to-school clothing with the seemingly meaningless legend "EIGHT EIGHT," undoubtedly thinking this qualified it as some kind of 80s nostalgia item. Oopsy! Turns out the "EIGHT EIGHT" phrase is skinhead code for "Heil Hitler." That wasn't as dumb, of course, as Abercrombie & Fitch's slant-eyed coolie gear, released earlier this year. The latter instantly became a collector's item thanks to the publicity. (Thanks to uberchick for the links.)
When mentioning goofs like these, it's always fun to recall marketing slogan translation errors like "Come alive! You're in the Pepsi Generation" being translated into Chinese as Pepsi brings your ancestors back from the dead, or Coors' "Turn It Loose" being translated into Spanish in such a way that it suggested "Coors loosens your bowels." And from there, it's only a short distance to the always entertaining world of fractured English as employed by the Japanese in slogans and advertisements.
Wednesday, August 28, 2002
Philip Whalen Memorial Reading
@ Presentation Theater
(formerly The Gershwin Theater)
Univeristy of San Francisco
2350 Turk Blvd
San Francisco
admission is free
Together with the Hartford Street Zen Center and the MFA Writing Program at USF, The Poetry Center is sponsoring a memorial reading in honor of Philip Whalen's life and poetry. Philip Whalen's friends and fellow poets will speak and read from his work, and from their own and others' work in tribute to him. Michael McClure, Diane di Prima, Leslie Scalapino, David Meltzer, Clark Coolidge, Anne Waldman, Jane Hirschfield, and Bill Berkson are among the many poets and friends who will appear on the program.
* * *
i.m. Philip Whalen
October 20, 1923, Portland, Oregon -- June 26, 2002, San Francisco, California
* * *
HYMNUS AD PATREM SINENSIS
I praise those ancient Chinamen
Who left me a few words,
Usually a pointless joke or a silly question
A line of poetry drunkenly scrawled on the margin of a quick
splashed picture -- bug, leaf,
caricature of Teacher
on paper held together now by little more than ink
& their own strength brushed momentarily over it
Their world & several others since
Gone to hell in a handbasket, they knew it --
Cheered as it whizzed by --
& conked out among the busted spring rain cherryblossom winejars
Happy to have saved us all.
--from Memoirs of an Interglacial Age, 1960, The Auerhahn Press, San Francisco
A Zen Buddhist memorial service will be held for Zenshin Philip Whalen at Green Gulch Farms and Zen Center on Sunday September 1 at 2:30 pm Green Gulch is located at 1601 Shoreline Hwy (Highway 1) just south of Muir Beach, Calif.
Small events early in the morning
A morning without fog is a predictor of a warm day -- the last little heat wave of the real summer, as opposed to the "Indian summer" that comes in late September and in October.
I walked down the steps and into the zendo and found a new guy sitting in my place. That's like a big event at Hartford Street -- someone new in the morning. I can count the number of new people in the last six months on two hands.
I went and sat somewhere else. It's not like there isn't plenty of room -- there are about 18 places and usually only 4 or 5 people present. My sitting has been good this week, meaning a minimum of drowsiness and restlessness. Then on Wednesday as part of the "service" -- the new guy left beforehand -- we do a long chant, the Genjo Koan. It's so long that we skip the "work period" that concludes the morning service, even though the "work period" never lasts more than five minutes.
Tuesday, August 27, 2002
"It's kind of... a bummer"
After reading this 27 Aug 02 LA Times story, take a look at the Apple ad in question. (QuickTime required.) It's pretty hilarious. The lass who stars in the ad has become an internet-era star, sez the news story. The New York Times also reported the ripple in a 19 Aug 02 story ($):
''It was, like, beep beep beep beep beep beep beep,'' she says, ''and then, like, half of my paper was gone.'' She characterizes the experience, over all, as a ''bummer.'' ...Ms. Feiss has already gained a cult following among Internet viewers, who have created a flurry of Web sites devoted to her. Some are charmed by her slackerly expressiveness -- her slowly raised eyebrows speak volumes and her shrug when confronting the hungry PC is a moment worthy of Buster Keaton. ... Other fans simply debate whether her delivery suggests that she is, to put it bluntly, drugged.... Among the Feiss sites, some have digitally altered images from the ad to include takeoffs on Apple slogans, including ''Think stoned.''
Monday, August 26, 2002
If this is August, I shudder to think of September
I was talking last night with Dina about dates, schedules and such. Ours are opposites: I'm booked, sometimes overbooked, every hour of the day, every day of the week. She is between engagements. Which is not to say that whatever I'm involved with is any more important than how she's spending her time. I just have to schedule things to make sure they happen. She said something about "You don't have much down-time," and I replied, "No, not really -- or maybe it's the meditation. That has become my down-time."
Zazen -- i.e. the sitting meditation that zen practitioners do -- has been described as amounting to "sitting quietly doing nothing." I can't remember who coined that description, but it certainly works for me. It describes my meditation when it's going well (today was a good day). Sometimes I even use the phrase as a mantra of sorts, to keep me from doing something while sitting -- "sitting quietly doing nothing, sitting quietly doing nothing" -- while counting breaths. When done right, it's enormously relaxing, in such a way that it makes me more alert and less drowsy, even at 6:00 a.m.
This fulfills the requirements of leisure, at least on a daily basis (though I really should go hiking one of these days), in a way that watching television does not. Mainly I watch television these days to keep Cris company, or to kill time while waiting for something else to happen in a few minutes, or because the Giants are on. Or because there's one of those great shows on that show lots of videotape of fucked up freeway chases, car crashes, runaway speedboats, and airshow disasters. Yeah baby!
I love the freeway chase show. Have you noticed that every freeway chase is narrated by the same voice-over, someone who is apparantly pretending to be a helicopter pilot narrating the chases in real time? Whether the chase happens day or night, it's the same voice, as if the same copter pilot were on duty 24 hours a day. And he always uses the same phrases, my favorite of which is, "Oohhh! That is extremely dangerous!"
Anyway -- if I'm this busy in August, what will September be like?
Sunday, August 25, 2002
Irrelevant baseball rant
The Giants lost two consecutive games to the irrelevant Expos, at home, by scores of 7 to 2. What's that about? Last year around this time, when the team was clawing toward first place and, no matter what it did, seemed like it never got closer than 1 1/2 games behind the Arizona Diamondbacks, I went to a game. The Giants performed enough baserunning errors and left enough men on base that they lost the game, and I said to myself, "This team is just a second-place team." This year I said that to myself a month ago; now they're a third-place team, 11 1/2 games back and 4 1/2 games back in the wild card race. (They "won" the wild card race last year and were defeated in the first playoff round by the Mets, so it was all for naught.)
This was supposed to be the make-or-break year. Last year of Jeff Kent's contract, last year of Dusty Baker's. Though Kent has come through with an excellent season, Barry Bonds has been playing hurt for the last six weeks, and is now a liability in left field. Speedsters Kenny Loften, acquired too late in a July trade, and Tom Goodwin, a plucky rookie who would have become the everyday left fielder if not for Bonds' bat, haven't made much of a difference. It doesn't look good for the Giants.
Saturday, August 24, 2002
If I win the lottery
The California Lottery jackpot has made one of its occasional forays past the hundred-million-dollar mark, which is a trigger for me to actually buy a ticket. Last night I was walking on the treadmill, listening to the Giants' loss to the Expos on the radio, and watching a strange CBS drama with the sound turned off (it turned out to be "CSI," and completely incomprehensible without the dialogue, though I have no faith it would be any more comprehensible, much less more bearable, with the sound). Since neither the walking, the baseball game, nor the elaborately produced teleplay were enough to occupy my mind, I passed the time fantasizing what I would do if I won the lottery.
First off: The "jackpot" is $120 million or so; a winner gets about 55% of that after all is said and done. So call it $60 million. Okay, so first I would set aside $3 million as a reward fund for information leading to the conviction of lottery officials for any crimes or malfeasance. Fucking losers. Then I would set aside $20 million or so to give a half million to each of about thirty friends who are artists and writers. They've worked for 20 or 30 years of their lives at day jobs so they can do their art; that's enough. They should have the leisure to just do their art. I suppose I'd have to make this a foundation or something so they wouldn't have half of their gift subtracted by the tax man. Then I would give $20 million or so to Bay Area schools for art and music programs and for library books.
That would still leave me about more than enough that I would never have to work again. I could just write my novels for the rest of my life. Nice fantasy. But since I'm not going to win the lottery, tomorrow (Sunday) afternoon I'll get back to work on my novel. I think it's only slightly more likely that I will ever be able to support myself from writing fiction than it is for me to win the lottery. In fact, I there must be far more lottery winners in California every year than successful novelists, so maybe I have that backwards. I should be investing in more lottery tickets.
Friday, August 23, 2002
Something to see
Some friends will be performing "action theater" at 8 pm on Saturday, 31 Aug 02 at Western Sky Studio at 2525 8th Street, Berkeley. Tickets are $7-$10. For info & reservations call 510-915-3883 or e-mail: katarinaeriksson@aol.com. Among the performers is my friend Jenny Schaffer, with whom I performed songs a couple of times several years ago. Jenny's a dream on stage; I'll bet the rest of the gang is top-notch, too. Yes, it's improvisational theater, but the good kind. Not like those comedy shows on TV or like "Big Brother."
Speaking of which, I watched "Big Brother" pretty religiously the first year (summer 2000) and got sucked in again last summer. But this year I turned it on once, and turned it back off in about five minutes. The people all seemed like total unreal creeps, and the producers have neautralized all of the weird audience participation stunts, like hiring airplanes towing banners on which viewers had composed with cryptic messages to the hamsters. I'm enjoying my free time this summer a lot more than I would enjoy this year's version of the show.
Blog of the week
This week's recommendation for a killer website is http://www.reallans.com/mmml.shtml the name of which is Real Lans, I think. Via gigglechick.
Listening to: Milk Cult Project M-13, a compilation of strange mixes, electronica, low-tech arch-pop, and all-around happiness. I can't call it a fave, but it's compelling once a month or so.
My real fave this month: The National Trust, "Dekkagar". Despite occasional technical mishaps (they attempt some vocal harmonies that I think only Crosby, Stills and Nash or the Beach Boys could quite pull off), this album of gorgeous neo-funk is the best thing I've heard all summer. It's sort of like War crossed with Crosby, Stills and Nash, but with modern production values. Just great.
Thursday, August 22, 2002
Today's dirty story
A writer friend, "Lisa Wolfe" (a pen name) has a new story on Cleansheets, and I like it a lot. (Be warned, it is erotica.)
Six day novel nets $475K advance
Today's Chicago Tribune has an article about a young journalist whose proposal for a book about "Latina divas" was going nowhere.
That effort came to nothing, but several of the editors who saw a sample chapter asked Daniels if Valdes-Rodriguez had a novel in one of her desk drawers. Daniels didn't know so, around the first of the year, she asked her client. And Valdes-Rodriguez said, well, yes, she did; she just needed to polish it.In fact, she didn't. But she had made several attempts at novels since high school, and, using those drafts as raw material, she began working up a list of characters and an outline. ... Finally, in February, she sat down to write at a local Starbucks, and, for six days straight, she created the book on her laptop, writing for as many as 15 hours a day. And, four months later, after some editing by Daniels, the book was sold. "It was a process of years leading up to those days," she says. "A lot of it was sort of cut-and-paste from the other books I had written."
(Thanks to Romenesko's MediaNews for the link)
All I can say to that is, wow. Of course, the crucial part of that story is the "years leading up" to the six-day writing frenzy. But it is reminiscent of some other famous intense and productive writing stints: the three weeks it took Jack Kerouac to produce "On the Road" and the three days when the unknown Sylvester Stallone paced up and down in a room dictating the script for the first "Rocky."
Wednesday, August 21, 2002
"A plan for spam"
Even if you're not a programmer, this guy's article describing his work on a foolproof email spam filter is interesting.
Trout Fishing in America, and other forms of meditation
Apropos of my constant bragging about my nascent zazen practice, the great 20th century poet Kenneth Rexroth had this to say:
Life in the city in the winter seems too full of distractions and busy work. Who said poetry was emotion recollected in tranquility? I don’t know about others, but I find most tranquility Camped by a mountain lake at timber line. There whatever past emotion and experience I choose to recollect and write down, take on most depth and meaning.Dry fly fishing has the same effect on me. It seems to me it is a kind of higher mathematics, practically embodied, of the study of the free flow of water. It combines all the virtues and none of the strains and responsibilities of both art and mysticism. Besides, you catch fish. You don’t have to read books on Zen and Taoism and do funny gymnastics with your breathing and put your legs in painful contortions.
Fly fishing is Taoism in simple and fascinating action. If you let it, it produces, and by much more natural methods, the same results, the crystal clear calm of heart that so many people seek by so much more difficult ways. Maybe if Lao Tse and Bodhidharma had just known about it, they would have been fishermen and not mystics. Of course, you can’t use it, like Zen, to impress gullible chicks in espresso bars. Or can you? I’ve never tried. Maybe I should.
That's from one of the San Francisco Examiner columns by Rexroth collected at The Bureau of Public Secrets. Writing in 1960 as public interest in Beat literature and lifestyle -- and its concommitant obsessions mountain hiking and zen meditation -- was peaking, Rexroth was sending a shot across the bow of Gary Snyder and others.
But Rexroth's riff also anticipates one of the transitional works between the Beat and the Hippie eras: Richard Brautigan's Trout Fishing in America. That novel is commonly associated with San Francisco of the hippie era of the mid- and late 60s, but Brautigan wrote it no later than 1961, placing him definitely within the Beat era. And he appears in the classic photograph of all the beat generation writers gathered outside City Lights Books.
Brautigan was one of my first, and strongest, influences. His work is easy to imitate, and I copied his voice in my first efforts at fiction. Furthermore, "Trout Fishing" contains a chapter that counts as the first erotica I ever read. I'm due to write an essay about that for my friend Marilyn's "Erotic Muse" column. Still doing research. Brautigan was a fascinating figure, extremely hard to pin down, it seems. But he epitomized the California experience for me and so many other people who grew up in the 1960s.
Tuesday, August 20, 2002
The opposite of whining
I don't know what's worse -- a weblog that consists mostly of the person whining about their lives -- which is a hell of a lot of the weblogs out there, as far as I can tell -- or a website where the person constantly brags about themselves and does nothing but self-promotion. This website is admittedly self-promotional, but here in the blog I do try to focus on other things I've seen, heard or read. This entry, however, is about nothing but what a swell time I'm having.
Having started seeing someone new, I'm on some kind of physical/sexual high that is simply the opposite of being depressed. Without being on anti-depressants or ecstasy, I've managed to get myself into a terrific state of mind. I wish I could say exactly how, but I don't really know, though I think the fact that I got two fan letters in five weeks from people who liked my books sort of kicked it off. (If I got any more fan mail I might get completely insufferable. I may already be insufferable; this entry will be a test of how much.)
So, like I mentioned yesterday, I went to the chiropractor. One of the nice things about this particular chiro is that they have masseuses on staff for muscle/joint work, and the masseusses come in and work you over for ten minutes, so that by the time the chiro comes in to twist you like a pretzel you're nice and warm and soft for it. The masseur (in this case, a guy) made some remark after a couple of minutes that I didn't seem to have any knots in my back at all. The more he worked, the more excited he got; he couldn't stop talking about it. Finally, after ten minutes he exclaimed, "Yours is the best back I've seen since I started working here! -- in January!"
I had to laugh. The reason I went to the chiro at all was because I've been doing these all-day meditation sessions once a month, in addition to 45 minutes every weekday morning, and I wanted to make sure I wasn't completely kinking up my back. I guess not -- my back seems to have become much stronger. This was borne out when I was in L.A. last week and spent all Thursday in museums. In the past that would have killed my back; this time, it didn't hurt at all.
So there you are: fan mail and zen meditation -- an unbeatable combination.
Monday, August 19, 2002
One more L.A. moment
I forgot to report one more perfect L.A. moment from from trip.
It was 9:00 a.m. on Thursday morning, and I was walking along N. Highland Ave. just north of Franklin St. with some coffee on my way back to my hotel. Down the side walk the other way came a man with red hair wearing a purple suit and an agitated expression.
"Angela! Angela!" he cried in anguish, like Stanley Kowalski on meth. I became aware that he was hailing a woman on the other side of the busy four-lane boulevard, which was thick with morning traffic. "Angela! Why you wanna leave me??" he screamed.
At a momentary break in the traffic, he scuttled across the roadway and cornered a young black woman who looked none too happy about it. They conducted a conversation with many gesticulations, inaudable over the traffic. I didn't know whether to shout "Hey! Leave her alone!" or "Hey, you're wearing a purple suit!!"
After several minutes, they began walking down the hill together, the purple-suited guy obviously pleading his case with vigor.
Seriously
I went to my chiropractor today. Apropos of nothing, she brought up the war-to-be. Everybody can see it coming; can't somebody stop it?
Even some Republicans -- and some say, Bush pere himself -- are advising Bush against it (see this 17 Aug 02 New York Times article -- free reg. required), but I think W thinks it's his destiny.
If he does manage to muddle through without causing World War III, I suppose the best we can hope for is that he won't get re-elected, though that seems like small comfort. Don't even the Republicans realize that the Gulf War plunged the country into a recession? -- you'd think that, at least, would dissuade them. But they're all in it for the short run. I've always had the impression that the Republicans, when they're in power, are the quickest to steal and defraud because they're all 60 or 70 years old and they know they have only a few years left to live. Democrats, on the other hand, are young when they're in the White House -- they know they have decades left -- they're still thinking about getting laid!
Just in time for the next war
This looks fascinating:
Tse Chen Ling center for Tibetan Buddhist Studies invites you to learn from the spiritual journeys
of six inspiring women. Please join us for this six evening lecture series of personal exploration
and discovery.
Venerable Robina Courtin
Topic: Changing the Mind
Time: Tuesday, Sept 3, 7:30 pm
Venerable Tenzin Palmo
Topic: Wisdom of Emptiness - Mother of All Buddhas
Time: Thursday, Sept 5, 7:30 pm
Venerable Thubten Chodron
Topic: Working with Anger
Time: Thursday, Sept 12, 7:30 pm
Venerable Sarah Thresher
Topic: Healing the Pain
Time: Thursday, Sept 26, 7:30 pm
Venerable Sangye Khadro
Topic: Balancing the Spiritual and the Material
Time: Thursday, Oct 3, 7:30 pm
Venerable Karma Lekshe Tsomo
Topic: Mindful of Our Actions
Time: Thursday, Oct 17, 7:30 pm
Location: Unitarian Center, 1187 Franklin Street (at Geary) San Francisco,California.
Tickets: For the entire series $108, Advance Tickets $20/lecture; at Door $25; $12.50 for seniors/students.